The high-pitched whistles, very flute-like, came from a dense patch of forest just off the Big Tree Loop. The notes had a resonating quality to them that held in one’s brain for long after they passed. Several notes followed relatively close together, then a long pause before a different tune was uttered. Reinaldo and I had left the lodge early that morning to hike the network of trails at Mount Totumas. I was particularly interested in recording the song of a Black-faced Solitaire, and we had found one.
This small thrush is in the genus Myadestes. The genus has some remarkable songsters. In undergraduate school, I traveled numerous times with friends in Mexico, and there we heard the Brown-backed Solitaire sing. After graduating, I purchased a print of George Miksch Sutton’s painting of that species and hung it in my house. In the painting, the bird is singing from a branch surrounded by orchids in flower and other epiphytes. Their voice is ventriloqual and that makes it difficult to find them. Hearing the Black-faced singing in Panama made me suspect that they too can project their voice. Oh, to watch a Black-faced sing from a perch such as Sutton painted for its relative would be a thrill.
Ridgely and Gwynne translated the black-faced song as “teedleeleé … tleedleeé … lee-dah … lee-doo.” This bird, though, seemed to use more phrases than they listed and had a series of different tunes before repeating. The slowness and crisp notes reminded me of a fiddler who might be sitting by himself on a porch enjoying the sun and afternoon. Of course, we are not supposed to anthropomorphize, but I can’t imagine that this bird doesn’t enjoy singing.
Scientists have not studied the song of this species very much. Consequently, we don’t know much about its variation within or between individuals. I wondered if it was like our Hermit Thrush in the Pacific Northwest. Each male thrush has 9 to 12 different opening sequences and then elaborate flourishes that follow each. They mix up their songs, and adjacent males rarely have similar tunes. Perhaps, this Black-faced individual has developed his repertoire to deal with his neighbors and keep his territory safe from intruders.
His frequency range was broad, extending the full spectrum of a grand piano, and some notes went even higher than that. Like other thrushes, he uses both of his syrinxes to make his melodious song.
I could listen to him sing all day.